Early morning mist clings to the streetlights, sun still hiding behind the horizon. Sipping a cup of convenience store coffee that’s better than it should be and listening to love songs as I text my man, I feel at peace. That’s been a rare commodity these days. But one question circles in the back of my brain, threatening my quiet moment: Why the f*&k does Alan Wake keep losing his f*&king gun?!
***A few mild Alan Wake Remastered spoilers ahead! You’ve been warned!***
I know it’s been a while my fellow gamers. Meh…some circle of life stuff’s been going down and it knocked me off balance for a bit. And while I haven’t been writing or hanging out on social media, I have been gaming like a fiend. Last month I burned through four story-game titles: Lost Judgment, Far Cry 6, Dark Pictures Anthology: House of Ashes, and a replay of God of War on hard. Yeah, I’m masochist, but we knew that.
For some reason, the inspiration fairy didn’t hit me with any of those games. Don’t get me wrong. I thoroughly enjoyed each of them, but it took Alan Wake and his f*&kwittery to move me to write. And the question remains: why can’t he seem to hang onto a motherf*&king weapon? One would think, other than survival, that would be objective #1. And one has a much better chance of surviving if one isn’t constantly having to scrounge for new armaments.
Yes, yes, yes, I know it’s part of the challenge, that and Alan is slow, stamina impaired, and in no way a bada$$. Which only strengthens my case for holding on to a pump-action shotgun for dear life! Needless to say, the combat in Alan Wake Remastered wasn’t the smoothest or most satisfying. In fact “frustrating as all hell” would be the phrase I’d use. The story, on the other hand, is a quirky, creepy masterpiece. It also gives the player some pretty accurate insight into what it’s like to write a story.
Early on the game pays homage to Stephen King and rightfully so. The premise of the story smacks of The Dark Side, but not so much that it’s predictable. In fact the devs borrowed from a lot of horror greats, such as HP Lovecraft and Clive Barker and then made the story their own. And the iconic last line of the game will stick with you forever, as you pull your hair out wondering WTF it means. “It’s not a lake, it’s an ocean.” I read the devs explanation of it and I still don’t really get the point, though that’s part of its charm.
Speaking of the cryptic ending, let’s talk about the DLC. Okay, I understand that DLC is invariably more difficult than the main game. This makes perfect sense in games such as The Witcher 3 and Horizon: Zero Dawn. By the end of those games, you’re character is a total freaking bada$$. You need beefier, more deadly enemies to keep you engaged.
Alan Wake does not have that kind of progression. Why then are the enemies in The Signal and The Writer more copious and more difficult to kill? I mean, Alan still can’t hang on to a weapon to save his motherf*&king life. Literally. I got so irritated with it last night I shut off the game lest I chuck my controller at the TV. Don’t think Charles would much appreciate that. But seriously, Alan had no more health, speed, or common freaking sense than he did in the main game so why…why…WHY?!
Alan Wake will leave you with more questions than answers and sometimes that’s okay. The writer in me loves that the story isn’t tied up in a neat bow at the end. The gamer in me did enjoy the unique challenge of weakening my foes with a flashlight. Yep, you read that right, a flashlight. But the realist in me says if Mr. Wake loses his godd@mn gun one more time, I’m through with him. Okay and I might be tempted to dive into the shmup Charles is playing. I guarantee you his character in Hired Gun ain’t constantly misplacing their arsenal. And Mama needs a brand new distraction.